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Perfect Record Label

Perfect Record Label 1922-Apr. 1938

A budget-brand of the Pathe-Actuelle Label. The Perfect Record Label operated under the Pathe-Actuelle controlled Perfect Record Company. Early Perfect labels were black for popular music or maroon for classical. These early labels used an octagonal border. By 1923, the label design changed to two nude sun-worshippers. Red shellac pressings were introduced in late 1924 but discontinued in 1931 in favor of black shellac. Perfect created a series called Perfect Star Series for higher-end talent. After being bought by American Record Company (ARC) in 1929 the label remained the same until a re-design in 1937 to an undistinguished blue-and-silver label without a pictorial trademark. Perfect would be discontinued by ARC in April 1938.

Musics Genres: Pop, Orchestra, Classical, Band, Blues

Pre-1941 Label:

Perfect Record Label: 1922-1923. Notice the octagonal border.

Perfect Record Label. Early
Perfect Record Label. Early

Uncle Josh (Cal Stewart) was a monologuist known for telling humorous stories with a unique laugh. I’ve included a link to the audio of Uncle Josh at the Circus below. It is on a Columbia record.

Perfect Record Label: 1923-1937. Record may be black, blue, green, or red shellac with nude sun-worshippers.

Perfect Record Label: Note the Sun Worshippers
Perfect Record Label: Note the Sun Worshippers

Perfect Record Label: 1937-1938. Blue and Silver.

Perfect Record Label Blue and Silver

1941-1945s Label: None

Post WW2 Label: None

Numbers from start to 1945: #100-16000. A listing of records from 1928-1931 can be found here:
http://www.78discography.com/PE15000.htm

Notes: The Race series was called Perfect 100s. It was started in July 1926. These were duplicates of Pathe’s race series (#7500). Rosa Henderson and Mary Staffard would feature prominently on the Perfect race-record series. Another race artist include Big Bill Broonzy  (operating under the pseudonym of Sammy Sampson). Big Bill would also have a side project with Tommy Dorsey, called The Famous Hokum Boys.

Sources:
–Rust, Brian. The American Record Label Book. Arlington House Publishers, NY. 1978.
–Sutton, Nauck. American Record Labels and Companies: An Encyclopedia (1891-1943). Mainspring Press, CO.2000.
Perfect Race Record Blues Encyclopedia Entry
–Discography of Perfect Race Record Numbers


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Harvard Record Labels

Harvard Record Labels (1905-1907)

Harvard Records was a 78 record label sold exclusively by Sears. Columbia Records originally produced the record. The catalog numbers were similar to Columbia master catalogs. The Harvard Record Label used anonymous recordings. The records came in either 7in. or 10in. sizes.

Music Genres: Waltz, Patriotic, Orchestra, Comedic, Folk Songs, Black or “Coon” songs. (The Harvard Record label and Sears sold music that exemplified the time. Such musical lyrics that stereotyped dialects would be unacceptable today)

Pre-1941 Label: Plan label with blue lettering.

Harvard Disc Record. Courtesy of http://www.78rpm.net.nz
Harvard Disc Record. Courtesy of http://www.78rpm.net.nz

Uncle Josh was the pseudonym for Cal Stewart, a vaudeville actor that made the transition into sound. He is known for comedic narratives. While not on a Harvard Disc the recording below is indicative of Cal’s comedic style.

Another example of the early Harvard Disc Record label.

I Never Trouble Trouble until Trouble Troubles Me
I Never Trouble Trouble until Trouble Troubles Me by Baritone and Tenor Duet

Not on a Harvard Record label but it demonstrates what the duet sounded like. You can note the same catalog number as the Harvard disc above. This was due to the fact that Harvard pulled from the master catalog of Columbia. Indeed, it appears the Peerless Disc Record did as well.


The Harvard Record label went through a label re-design in late 1906 or early 1907. This new design featured a collegiate pennant and letting in orange.

World War Two Label: None. Label did not exist

Sources:

http://www.mainspringpress.com/sears-labels.html


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